Susanna Fanshawe (1608-1668), wife of Thomas Fanshawe of Jenkins

Object number



c. 1663


Susanna Fanshawe, the youngest daughter of Matthias Otten, a brewer of Walthamstow, married Thomas Fanshawe of Jenkins on 16th February 1625/6 at St. Mary Aldermary. Together they had 13 children: Thomas (1628-1705) (See nos.10 & 5); Henry (1629-1630); Susan (1630-d. young); Elizabeth (1632-1633); Alice (1633-1662) (See no.2); Ann (1635-1637); Mary (1636-1641); Anne (1638-1684); William (?-1683); John (?-1701); Elizabeth (?-1659); Margaret (?-1725); Benjamin (1652-?). Seven of the 13 children were baptised at Barking, and those whose birth dates are unknown were probably born during the civil war, when Susanna and Thomas were travelling the country or abroad. Susanna was buried at Barking on 17th July 1668. A portrait of her sister, Elizabeth Cooper also resides in the collcetion (See no.18).

Physical description

Bust length portrait of a lady turned slightly to her right. She is wearing a yellow/orange silk dress with slashed sleeves that show her white chemise. The dress has a wide scooped neckline that is decorated with swags of brown silk and strings of pearls twisted together. Her brown hair is dressed up on the back of her head, with loose ringlets falling around her face and on her shoulders. She is wearing a string of pearls around her neck and pearl drop earrings. Set on a brown background within a feigned oval mount.



Sir Peter Lely (1618 – 80) Portrait painter and collector of Old Masters’ prints and drawings, active in England from the early 1640s. Born in Westphalia to Dutch parents whose real name was van der Faess, he trained in Haarlem and in 1637 became a Master of the Haarlem Guild. Little is known of his work prior to his arrival to London. He became a freeman of the Painter-Stainers’ Company in 1647 and his early English paintings were influenced by Van Dyck and Dutch baroque style. They were mainly mythological scenes (e.g., ‘Nymphs by a Fountain’, Dulwich Picture Gallery, London) and portraits set in landscape, often in pastoral mood, for which he became famous. Lely quickly established himself as a portraitist to Charles I. Swiftly changing his patrons, his reputation and fortune grew steadily and after the execution of the king he served under Oliver Cromwell and his son. In 1660 Charles II appointed Lely his Principal Painter in Ordinary. He was naturalized in 1662. Although his works vary in quality, and in some he was greatly assisted by his pupils, he is regarded as a leading artist of the Restoration. Lely was a master colourist, his style best manifested in exquisite draperies. His portraiture flatters sitters. The ‘Windsor Beauties’, a series of painted ladies at Hampton Court, show voluptuous and dreamy figures while the ‘Flagmen of Lowestoft’, of which the majority are now in the National Maritime Museum, London, display his talent in portraying characters at its best. These show 12 of the admirals and senior captains who fought under James, Duke of York, at the first action of the second Anglo-Dutch War in 1665. Two, of Prince Rupert and the original of ‘Sir John Lawson’ (copy at Greenwich), remain in the Royal Collection, from which the others were presented to the Naval Gallery of Greenwich Hospital by George IV in 1824. Lely was knighted shortly before his death.


Portrait Painting


Whole height: 950mm
width: 830mm
Canvas height: 730mm
width: 610mm

Collection type

Visual arts, Fanshawe Portraits

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